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The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror is an interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century.
Introduction I Phenomenological theory Husserl's theory of artistic representation The concept of the noema The ontology of cinematic representation The epistemology of cinematic representation Transaction, transparency, and transcendence Husserl's epistemology as told by Jean-Louis Baudry Notes II A phenomenology of fictional representation An.
